Oversea在海外专辑NO.6—Fei Tang 唐菲

海外存知己,天涯若比邻。
在海外专辑分享海外华人的故事。
希望这份分享可以让世界更加海阔天空。
第六期为您奉上的是目前在奥地利维也纳工作和生活的唐菲:
在国外经历印象最深刻的事情?—–
维也纳的官方语言是德语,每次在外用餐之后侍者都会礼貌的问:“Es schmeckt gute?
(味道怎样?)”以中国人的思维我都以为他们问我“还要点菜吗?”所以每次我很淡定的
回答:“Nein, danke!”(不,谢谢),之后总会发现侍者那吃惊的表情。如此一问一答持
续了将近两年,而且个别餐厅我出现的频率颇高。直到最近上德语课,终于知道这句
话的真正含义,顿时两眼呆滞面无表情的看着德语老师,之后一个人狂笑不止,但是
过后回忆起来却觉得特别美好。因为所有这些谅解和生活中的小点滴能够让我清晰的
印象深刻的看到自己的不足与妄自尊大。
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DIPLOMA
EVOLUTIONAL THEATER IN VIENNA

 

This project seeks to develop a middle ground between excessive and conventional opera theater. One of the strategies is to create a new vertical transition part as the coherent between the Opera Theater and the Concert hall. It was designed as a solution to the substantial decrease of earth specially which site is located in a high density residential district.
This tower proposes an intensive, yet ivy romantic environment with an Opera Theater, a Concert Hall and a Panoramic Restaurant where you will be able to find little squares, picturesque sightseeing to this city, parks, hanging garden, and many cultural facility standing like an unconventional flowery tower which proposes to house an almost ethereal ambiance and the most striking views, this avant-garde piece of architecture will be the eye catcher for a very long time.The form it tends to take is much like a lotus blooming under a mild and white winter sun. This theater seeks to rekindle the romance between Vienna and opera which first sparked in the mid-19th century with the existence of the Vienna State Opera.Rather than the flourishing exterior, the inside of the Opera Theater reveals wood-clad cavities where every seat in the house is different. Not only will the building have little havens of picturesque hanging gardens, but the architecture of the entire structure is organic – bringing the sensory experience of nature to the site on a grand scale.
这是我在维也纳应用艺术大学EXCESSIVE STUDIO 做的毕业设计。项目选址位于密度拥挤的维也纳2区。平时是一个小集市。如何在有效的空间里解决大尺度的建筑体块,并可以打破上个世纪维也纳传统歌剧院的模式,成为我整个命题围绕的重点。所以整个设计与传统歌剧院不同,功能部分通过垂直分区很好的解决了歌剧院与音乐厅之间的过渡与连贯性。
塔楼的关系既作为垂直交通筒体存在,将歌剧院,音乐厅,空中花园与全景餐厅巧妙的联系在一起。而常春藤遍布着整座建筑,站在塔楼仿佛和自然融为一体,不经意间就能闻到绿叶的清新。每当夕阳西下,斜阳映照下的维也纳古城,渲染出一座“金色城市”。而这看似冰清玉洁的荷花盛开的前卫歌剧院,重新点燃维也纳与歌剧之前的恋情,与其疯狂的外表相比,歌剧院的室内则更显得温馨与柔情。市民从古城前往歌剧院,进入音乐厅,就犹如穿梭于不同的时空,木制阶梯式的座位设计,更显人性化,使每一位音乐爱好者享受的不仅仅只是音乐盛宴,而是步入充满艺术设计的殿堂,仿佛时间在这里定格。

 

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COMPETITION
The Gate Competition of the Myrtle Flower Garden
Xiangyang city, China
Collabarator: Christian PRECHT ( http://prechteck.com/ )
Our design for a gate to a flower garden in xiangyang re-desfines the concept of a gate and thereby creates a new and unmistakenable icon on the horizon of the city.As a typology, the main function of a gate is a dividing one, separating the inside from the outside. On the other hand, a gate is a connecting element, guiding people to a certain point, where inside and outside get unified.Our design is not just about the link of the inside with the ouside, but also about the connection of its visitors – the gate as a point of gathering, instead of a point of passing through.The structure serves as a gate to the flower park of Xiangyang, a city famous
for its nature, tradition and writers. Our design shows a tribute to those.
Inspired by the shape of the garden-flower, two blossoms of the myrtle define the gate,
honoring the beautiful landscape of the area.
As the structure arches over, the bundle of bamboo on the outside create a majestic volume of light in the ‘in-between – space’. This space not only serves the flower garden as an entrance gate and gathering point for visitors, but also can be used as a sheltered void which serves the community for concerts or lectures. From the outside, the ‘blossom-gate’ is a symbol for unity and harmony and for sure a desired background for wedding pictures in the flower garden.
 
在国外工作很少有甲方的催图,平日工作没有太大的压力,没有太多的加班加点,工作也能在国家规定的每日工作时间内完成。所以业余时间,我与合作伙伴Christian Precht会经常浏览并关注国内外相关的竞赛,遇到感兴趣的总会小试牛刀。最近我们参与了中国襄阳中华紫薇园旅游景区的大门设计竞赛,并获得了与其他4名参赛者入围第二轮方案的深化竞赛。
在这个竞赛设计中我们重新定义了“门”这一单一概念,进而为中华紫薇园打造出一个城市新地标。大门的设计一方面往往沿袭了经典的大门设计形态准则,如内外空间的划分。另一方面,大门作为整个花园的主导部分,既具有引导作用,同时也是花园与喧闹城市间的一个缓冲区。
而我们的设计,不仅仅只是内外空间上的孤立联系,同时以人为本,除了供人们通行穿越之外,亦可成为游人的集散场所,互动场合。 中华紫薇园大门的部分设计灵感来源于襄阳这座古城的自然风貌以及人文历史,如传
统书法;同时我们也吸收了紫薇花、叶的自然特征,值得一提的是,我们还对“紫薇花”这三个字的文字特征进行了解字结构的分析。
这些特征逐步形成了中华紫薇园大门最后的结构形态。设计师因地制宜,采用生态竹子作为材料,真正做到生态人文,体现建筑与环境和谐共生的理念。同时,由于结构组合的形态,整座大门并不像是过去单一的建筑造型,沉浸在庄严肃穆的孤傲和冷漠当中,它更像是一件精致却不失大方的艺术精品,亲切而活波,充满灵性,包容着更多的人们的到来,这种包容的价值观在其多样性的使用功能中得到了体现:如拱形的结构特征不仅仅是建筑结构中最稳定的结构体系,其大跨度的内部空间既可用于开展论坛讲座提供场所,亦可作为各种文娱活动的舞台背景,或是成为市民,游人争先拍摄的紫薇园另外一道靓丽的风景。
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OTHERS
During the diploma period, there were so many ideas about the form and morphosis has came up with several similar elaborate and organic proposals for my inspiration.
在做毕业设计的时候,中途常常会妙想连天,不断的去尝试不同的单体与造型,以此来激发自己更多的想象力。
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When: 2010-now
Where: Austria, Vienna
Name: Fei TANG 唐菲
Nationality: China, Guangxi
Education:  Universität für angewandte Kunst Wien (2010-2011)
Work: Architects Collective (2011-2012)
Contact: sugarfei1026@gmail.com
 
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评论 Reply

29 评论 | 29 Comments

  1. 建筑不只是实质性的使用功能,建筑设计没有框架,不要用自己既定的眼光去评价,所以很支持这样的设计

  2. 参数化在哪??这么自由感性的形体哪里有参数化了。。。

  3. 好屌啊、、、能说找了你很久了嘛。。。。呜呜呜呜。。终于看到出处了。。学习中

  4. 超 科技时代 工业科技 习大大说 不要搞那么多 奇怪的建筑 话说回来 流线很漂亮

  5. guilin.fu

    设计太美了

  6. 虽然不算建筑,但牛的确是牛

  7. 空间感很强。。很喜欢。

  8. 空间的感受很强,喜欢。紫薇门还是感觉厚重了一点,少了一点花瓣的轻盈感。个人的感觉。你的作品还是棒的,喜欢。

  9. 参数化,一定是有逻辑在里面才是参数化,正如巴塞罗那馆似是而非的理性和高迪的那个倒挂的模型,现在的参数化只是将当初高迪的十年变成一年,才有意义,如果不是建构的参数化,那只是好莱坞大片,没有实际的意义。

  10. 这个好屌 看到最下面那个 觉得自己弱爆了。。。

  11. 棒! 喜欢那个木质的空间! 人要是在里面肯定有很不一样的感觉~。 就不知道承重与结构要如何设计…希望下次能有承重与结构的相关知识传上来看看- – 不然真是要做的话还不知道如何实现。

  12. 喜欢紫薇园景区大门,加油。

  13. 东西好玩 哈哈 那张剖面其实真的可以不画出来 [开心]

  14. tangbao0930

    漂亮!

  15. 参数设计还是很前沿的,菲~的中国紫薇园景区大门很不错的。

  16. ddvicky

    很震撼,拜读中,谢谢

  17. novice

    基于自己美感的手工建模吧,偏艺术
    那些无脑喷参数化的,呵呵

  18. Go Blue

    没看到任何参数化的内容,楼下怎么突然讨论起参数化了?

  19. 虽然不喜欢参数化。但还是很漂亮的

  20. haohao666999

    国外留学的现在回国不好混了啊

  21. beautiful shapes. i like them

  22. zc983722113

    玩儿玩儿可以,不能当真

  23. 对参数化充满向往啊。。。感觉很惊喜,你不知道就会出现什么神奇的形态。

  24. 好讨厌参数化这种东西

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