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Appreciations towards Genoveva Carrión Ruiz for providing the following description:

这是一个位于圣地亚哥阿波斯托尔22街地块的大门围栏改造项目：其目标是更换人行道金属门，同时修缮现存的围栏，但不拆除任何物件。

Reform project for the fence of the plot located at Santiago Apóstol 22 Street: replacement of pedestrian and traffic metal gates and works of superficial improvement of the existing enclosure without demolition of any element.

▼ 改造后 – 大门外景，After Renovation – Street Direction

▼ 改造后 – 大门内景，After Renovation – House Direction

项目位于瓦伦西亚附近的L’Eliana自治市，该地曾在20世纪70年代在郊区开发大型住宅项目。设计师的父母Carmen Ruiz Navarro和Clemente Carrión Mateu完成了圣地亚哥阿波斯托尔22街地块的住宅，在25年后的今天，住宅大门破损而急需一个新的大门。

L’Eliana is a municipality near Valencia, which in the 1970s developed large housing estates on the outskirts. Carmen Ruiz Navarro and Clemente Carrión Mateu, my parents, have finished their house in plot No. 22 of Santiago Apóstol Street, and, 25 years later the entrance gate is broken and they need a new door. So then, a door for my parents with something else, of course.

▼ 改造前，Before Renovation

大门围栏处于同一水平线上，设计师想要将其改造成叶片结构状，通过绘制人行和车型两个入口间的墙体，将其融为一体而弱化其中细微的差别。设计用色参考了珍贵的现代主义作品，打破常规的同时建立起另一套标准。

The fence is practically a horizontal line. With the project there is an effort to generate, veils that will deform the fence until it becomes a foliated structure that shelters nuances and attends to the two situations that will be through it, the step walking and the step with a vehicle. The color refers to modernist and precious work, breaking with a canon of standardization through the recovery of another canon in disuse.

▼ 融为一体的叶片状大门，a foliated structure that shelters nuances

设计师的母亲是陶瓷师，亲手绘制了这两面墙壁。其连接着人行道的大门，他们与插画家一起合作，创造了两面独特的笔画，表达了该地区的居民现在的生活琐事和未来。

Being my mother ceramist was difficult to miss the chance to continue playing. Thus, for the two walls that collect the access through the pedestrian gate, we propose together with an illustrator, two unique murals, that speak of the inhabitants and their things, of the inhabitants and of a future.

插画师Sergio Membrillas与我们在陶瓷工作室中一起在陶瓷供应商Cerámica Vilar Albaro供给的10 X 10厘米白色陶瓷片上面绘制图案，侧面证明了陶瓷是一种能表达广泛的审美观的材料，并能轻易并坚定的传达出当代性话语。绘制完成的两面墙美化了当地街道。

Sergio Membrillas as an illustrator, Cerámica Vilar Albaro as a supplier of ceramic white glazed pieces in 10×10 cm, and, our own work in the ceramic atelier, are proof that the transversality enriches the results and that the ceramic Is a material laden with a very broad aesthetic sense and easily exportable to contemporary discourse with a firm will. The result is two pieces, which somehow contaminate the street with domesticity and beauty.

▼细部，Details

▼零件，Components

▼总平面，Site Plan

▼平面图，Floor Plan

▼改造前后对比，Before and After

▼细节，Detail Drawings

01. Ceramic Wall: “Erti, Eno” (1.80×1.00 pieces of 10×10 cm)
Illustration by Sergio Membrillas (@sergiomembrillas)
02. Ceramic Wall: “Pare, Mare” (1.20×1.00 pieces of 10×10 cm)
Illustration by Sergio Membrillas (@sergiomembrillas)

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