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Edoardo Tresoldi与Designlab Experience合作，于阿布扎比皇室活动中设计并建造了一件艺术作品。有来自中东超过1900位来宾参加了这个盛大的活动，前期规划准备超过三个月。意大利艺术家曾第一次与Designlab Experience的设计师Mootassem Elbaba和Marwan Maalouf合作，将这种建造装置在室内展示，这次7000平方米的透视空间是较此前的进一步设计。这件艺术品的一部分还将展示于大学，博物馆以及公园等一些公共空间内。

Edoardo Tresoldi has designed and built artworks within a royal event in Abu Dhabi, in collaboration with Dubai-based studio Designlab Experience. The event, which was attended by 1,900 guests from the whole Middle East, required a three-month work of planning and development. The 7,000 square meters scenographic space marks a step forward for the Italian artist, who for the first time confronts himself with the design of a vast indoor space, together with Designlab Experience’s Mootassem Elbaba and Marwan Maalouf.Part of the artworks will be re-installed separately in institutional locations: universities, museums and parks across the UAE capital.

设计师Tresoldi与DLE团队希望展示出建筑与自然自由跃动，交流互通的花园空间，这种独特的方式，源自文艺复兴的姿态，通过当代人的吸收，过滤，而展现出时代意味。这种组合形成一个交合的空间，将古典模型与时代语言相结合。设计师利用纯粹的几何元素，如球体，立方体，平面，来剪断并打破古典的和谐，创造了透明和间断的韵律。装置的整体效果导致了一种抽象的建筑进化。装置自身展现了一个倒转的景观发展过程：在虚构的空间里自然生长和进化，并试图重塑人类视觉体验。

Tresoldi and DLE envisioned a garden where architecture and nature dance together in continuous connections and contrasts, whose peculiarities, in the Renaissance meaning, are filtered, absorbed and interpreted by the contemporary man. The set-up is a symphonic space where classical archetypes interact with the signs of the modernist language. Using transparencies and their broken rhythms, Tresoldi cuts and breaks up classical harmonies with elements of absolute geometry such as spheres, cubes, and planes. The overall effect results in a continuous evolution of architectural abstractions and evanescent distortions. An absolute landscape that develops itself through an inverse process: nature grows and evolves on the imaginary space, trying to give shape and matter to human visions.

设计师的概念是用透明的建筑解释自然规律，通过小的视觉集合来证明两个平行且分割的世界。自然是一个景观综合体，而人通过建筑变为景观。如果要引证Hölderlin，花园是允许我们“诗意般居住在地球上”的载体，设计师Tresoldi在阿布扎比的作品是一个多层的体验，一个神圣的和可识别的人类空间。古典和当代语言的融合生成了第三种类型，以视觉和分解空间为标志，成为这一时代的产物。项目照片由摄影师Roberto Conte为读者展现。

In Tresoldi’s concept, the transparent architecture determines the interpretation of natural orders, with small visual poems in which these two worlds prove to be parallel and intersected at the same time. Nature is a synthesis of landscape, man becomes landscape through architecture. If, to quote Hölderlin, gardens are what allow us to “dwell poetically upon this earth”, Tresoldi’s work in Abu Dhabi is then a multi-tiered experience, a sacralized and identified human space. The fusion of classical and modernist language generates a third one, marked by clear visual and volumetric decompositions, which find its time in the contemporaneity.According to a specific author’s choice, the visual storytelling has been done by architecture photographer Roberto Conte.

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