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Appreciation towards Gianluca Gelmini for providing the following description:

意大利贝加莫地区的Sacro Cuore e S. Egidio Abate教堂改建工程。改建范围包括教堂的中殿，地下室小礼堂，外观的墙面，屋顶和钟楼。教堂的工程始于1930年，但是始终都未建设完成。

The project of the renovation of the crypt is part of a bigger project for the church of Sacro Cuore e S. Egidio Abate in Sotto il Monte (Bergamo).

The project included the renovation of the church’s nave (floor and presbytery) and the external parts ( walls, roof and the new belfry). This church was built in the 1930 but the originally project was never completed.

▼ 远观，融入周边的建筑

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▼ 改建后的外立面。相比过去，钟楼造型现代简约。粉刷的白墙替代了原来设计的石墙

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▼ (左)金色的木门(右)金色的钟楼

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The project of the renovation of the crypt is part of a bigger project for the church of Sacro Cuore e S. Egidio Abate in Sotto il Monte (Bergamo). The project included the renovation of the church’s nave (floor and presbytery) and the external parts ( walls, roof and the new belfry). This church was built in the 1930 but the originally project was never completed.

The original project included the construction of the church vestry in the west side of the altar. The project was never completed , but the need to connect the interior of the church with the underground crypt led to the creation of a link that appeared inconsistent with the architecture system, with spatial and functional limitations.

▼ 中殿礼台上最瞩目的新家具

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▼ 从礼台看向坐席区

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▼ 礼台区

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▼家具示意图

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The project of the new link has been created with the dual purpose of restoring balance and continuity to the west elevation of the church and give the right importance to the stairs connecting the crypt and the nave, using natural light as the main element of the space.

The use of curvilinear forms has allowed us to circumvent the restricted size, without the perception of the corners. The large window leads a lot of light in the space and, thanks to white walls, spreads widening perception until the crypt level.

▼ （左）远眺礼台区（右）地下室的小礼堂

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The work in the Crypt concerned in the first place the reorganization of the perimeter walls from the damp. Also in this space has given much attention to light, in particular the relationship between natural light and artificial light.

Artificial light has been specially designed to create a light installation consisting of two rings of six meters in diameter. This installation wants to understand and measure the curvilinear space of crypt. The direct and indirect light is dynamic , becoming a means of communication and expression through the ability to introduce different lighting scenarios depending on the activities carried out in the space.

▼ 小礼堂有两个直径6米的环状吊灯，交错穿插在柱间的穹顶下，与曲线条相呼应

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▼ 小礼堂，灯光是强有力的元素

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▼ 一侧的窗户为小礼堂提供自然光。建筑师将窗户的内框做放大处理，利用形式消除边角，让更多的自然光进入空间，白色的墙面则增大空间亮度

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▼在该空间中，自然光与人造光达到和谐，关系为动态平衡

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▼ 不同的光环境

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▼ 曲线造型的旋转楼梯从中殿通往位于地下室的小礼堂

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▼ 旋转楼梯

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▼ 楼梯间天窗

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▼ 光影游戏

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▼ 家具

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▼ 家具在礼堂中

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▼（左）小礼堂剖面与平面（右）中殿平面

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DATA
ADRESS
Church of Sacro Cuore e S. Egidio Abate
Via Botta 1
Sotto il Monte (Bergamo), Italy
YEAR: 2009-2012
ARCHITECT: Arch. Gianluca Gelmini
COLLABORATORS: Andrea Mazzucotelli, Andrea Pressiani
PHOTO CREDITS: Gianluca Gelmini
DRAWINGS: Andrea Pressiani
AREA (Crypt poject): 120 mq
FURNITURE AND LIGHTS (crypt project): Design by Arch. Gianluca Gelmini

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