“玉见”——遗址博物馆概念设计

大四毕业设计,对每个热爱设计的同学来说这都最难忘的经历!

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      本项目位于桐庐县瑶琳镇潘联村的方家洲,是一个新石器时代玉石器加工厂遗址的博物馆设计,这里是玉石分野的源头属于良渚文化。我们着力于发掘场地环境、文化背景与建筑形态、空间语言之间的关联。希望以现代的、打破传统的设计手法结合东方人特有精神追求,从空间和形态及建筑与环境的关系上入手,以建筑的纯粹性对话自然地复杂性。引发人们关于良渚先民对于玉器的审美观,人生观及宇宙观的思考,在精神世界产生共鸣。从先民的玉器审美衍生到对自由、自然之美和自然崇拜的歌颂,这是一个大融合的漩涡中心在这里我与你玉见,人与自然玉见,天与地玉见,人与飞鸟玉见,美与万物玉见,期望每个人在这里都有最美好的“玉见”。

 The project, located in Fangjiazhou, Panlian Village, Yaolin Town, Tonglu County, is the museum on the former location of a Jade Article Processing Factory for in the Neolithic Age, the birthplace of Jade articles, which indicates the essence of the Liangzhu culture. We stressed the correlation between the excavation site environment, the cultural background, the architecture pattern and the spatial language for the best match of architectural purity and the natural complexity by exploring the relation between spaces and patterns in the site with the local environment with modern design characterized the oriental spiritual pursuits. The design is to inspire people understanding how the ancestors, in Liangzhu period, built up their aesthetics, outlook of life, and worldview by appreciating and observing jade articles, so that the modern and the ancient resonating spiritually. From the ancestors’ appreciation of Jade articles to the admiration of liberty, natural beauty and natural adoring, the jade article is the root of a great combination where the jade articles combines with human, nature, animals, and everything that come to your mind. We hope every visitor could enjoy the jade articles here and found their favorite ones.

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      整体概念:“浮游山水云雾中、迷乱时空转换间、悟道自然宇宙观。”中华民族自古乐山好水、崇尚玉之美。良渚文化临水而生、因水而灭以及先民的飞鸟崇拜和祭祀活动等激发了我们的设计灵感。依托场地地形,将主入口设置在建筑顶面,结合玉玦的品质和形态,营造“平远、深远、高远”的意境,由山脚登高而望,全方位展示方家洲的山水风貌。中央大楼梯,贯穿三层空间如漩涡般将花鸟自然、参观者及历史文化融入空间,使人穿梭于过去,现在和未来的时空中。依据场地的山水环境。以水喻“源”形成建筑瀑布景观,在建筑表皮上开孔引鸟入巢形成人鸟共鸣,万鸟归巢的奇景。将玉玦形态和品质及古人朴素拙雅的审美特点融入整体的空间设计中。

Overall concept:

The Project locates among the mountains with rivers rich in floating clouds; awed and lost in the transition of spaces in styles of ancient or modern, enlightened in natural rules and worldviews.

The Chinese, from ancient time, enjoys visiting and interpreting best sceneries of mountains and waters, and admire the beauty of jade articles. The Liangzhu culture was developed near waters and doomed because of waters, the flying birds worship and the worship ceremony in the ancient times both inspired us in creating the concept design.

Taking the advantages of the natural landform, the main entrance is on the top of the building, an indication of a huge jade with a small defect, to create a peaceful, profound, lasting, and lofty atmosphere. Climbing up from the mountain, we can bird-view the landscape of Fangjiazhou. A large-scale spiral stairs in the middle of the building, winding from the ground floor up to the top, like combining the three floor space into one with a great swirl, taking all the natural elements of bird and flowers, visitors into a space transition of the past, the now and the future, rich in culture. Abiding by the local environment of mountains and rivers, there is a waterfall in the building landscape, a metaphor of water is the source of jade articles, with opening for birds on the architecture surface welcoming thousands of birds home, creating the harmony of nature and human being. The whole space design is featured with the shape and quality of a great jade with small defects, and the simple but lofty aesthetics in the ancient time.

 

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                                                                                                出土文物

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概念分析

   

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设计意向

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