言·意 – 香格里拉民宿 / 亿端国际设计

散发着自然之美的简约民宿

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非常感谢 亿端国际设计 将项目授权gooood发行。更多关于:Yiduan Shanghai Interior Design on goooodAppreciation towards Yiduan Shanghai Interior Design for providing the following description:

两年前一个偶然的机会,甲方找到了徐旭俊老师。初次见面,经过短短几个小时的交流,甲方希望徐老师能先出一个简单的方案。当晚,徐老师以手绘的形式勾勒出一个草图方案;叠级连体的建筑形态,加入了东方的禅意元素,然后以古城香格里拉的藏式风格自然过渡,初步呈现出一家散发着自然之美的简约民宿。甲方当场给予高度的评价与肯定,一个关于言·意的原创设计故事由此展开……

言·意位于云南香格里拉独克宗古城北门街措廊46号,距离四方街仅三分钟步行,拥有得天独厚的地理优势。言·意历时近两年时间建造而成,建筑群依坡而建。建造期间,徐老师带着助理配合驻场,进行了长达约一年之久的跟踪,现场亲自配合指导施工,才让设计无折扣的完美落地!

▼民宿外观,view of the architecture

By chance the client found Mr. Xu Xujun two years ago. After a few hours’ communication at the first meeting, the client requested that Mr. Xu provide a brief proposal first. At that night, Mr. Xu drew a rough draft by hand: elements of Oriental Zen were added to the overlapping connected buildings , and Tibetan style of ancient city Shangri-La was taken as a smooth transition, thus a simple hostel which presents the beauty of nature was gradually shown. The client thought highly of the draft, thus a story about the original design of KARESANSUI was unfolded…

KARESANSUI is located at No. 46 Cuo Lang, North Gate Street of Dukezong Ancient Town, Shangri-La, Yunnan. It is geographically blessed — only three minutes’ walk from Sifang Street. Buildings of KARESANSUI are built on the slopes; it took nearly two years to complete the construction. During the construction period, Mr. Xu stayed on project site with his assistants for nearly one year to follow up on and instruct the construction. This contributes to the perfect implementation of the design!

▼错落有致的建筑群,the buildings are undulating and interweaved with each other

言·意的建筑由六栋小楼以及一栋老藏房组成,前厅大堂及餐厅所在的两栋建筑,视觉上犹如漂浮在空中,整个建筑群高低起伏、相互交错,楼与楼之间以走廊桥梁相连接。民宿共计15间客房,还设有大堂,餐厅和茶室;每间客房都设有入户的独特设计,展现出东方新禅意之美,同时也给客人带来了私密的体验。其中一栋建筑完整保留了原始藏式结构,徐老师提取了当地的藏式元素融进建筑及室内设计中,窗的设计也采用借景的手法,客人在房间透过窗户便能看到窗外美好的景致,蓝天白云,日出日落,大自然馈赠的美景犹如挂画一般,透过这些窗户展现在眼前。新代建筑与老臧房的改造自然和谐,宛如天成;整个民宿体量虽不太,但精美别致。空间功能分区布局巧妙,恰到好处。建筑与周边环境、民宿客栈完美融合,却又出类拔萃,被当地委员会称赞为香格里拉最美的民宿之一。

KARESANSUI are composed of six small buildings and an old Tibetan house, visually, the two buildings where the restaurant and lobby located are floating in the air. Bridged by corridors, the buildings are undulating and interweaved with each other. There are 15 guest rooms in total , in addition, there is a lobby, a restaurant and a tea room. Unique indoor design could be found in each guests room, while giving guests great sense of privacy , it shows the beauty of new oriental Zen. One of the buildings keep the original Tibetan structure, and local Tibetan elements are added to its architectural and interior design. When designing the window, Xu Xujun made full use of the great view, making it possible for guests to enjoy the painting-like scenery of blue sky, white clouds, sunrise and sunset just by looking out of the window. The transformation of new styled buildings and the old Tibetan houses is natural and harmonious. The scale of the hostel is not big, but it is exquisite. The space function layout is ingenious and just perfect. While standing out, the buildings blend into the surrounding environment and hostels perfectly. The local committee call it “one of the most beautiful hostel in Shangri-La”.

▼前厅大堂及餐厅所在的两栋建筑视觉上犹如漂浮在空中,visually the two buildings where the restaurant and lobby located are floating in the air

▼高低起伏的建筑群以走廊相连,buildings are bridged by corridors

▼民宿小景,architecture detail

   

▼接待大堂,reception

▼餐厅,dining space

民宿的名字来自于唐代诗人刘长卿的作品《寻南溪常山道人隐居》“过雨看松色,随山到水源。溪花与禅意,相对亦忘言”。寻隐者不遇,却得到别的情趣,领悟到“禅意”之妙处。言意由此而来,旨在能让人获得精神惬意和心理的满足。从幽溪深涧的陶冶中得到超悟,从摇曳的野花静静的观照中,领略到恬静的清趣,溶化于心灵深处是一种体察宁静,荡涤心胸的内省喜悦,自在恬然的心境与清幽静谧的物象交融为一。希望所有人都能获得乘兴而来,兴尽而返的惬意自得的感受。

The name of the hostel comes from poetry Looking for the Reclusive Chan Taoist of South Stream by Liu Changqing, poet of Tang Dynasty.”Enjoy the green pines after the rain, walk by the path of the mountain and find the source of the water, I understand Zen from the reflection of the flowers in the stream , and I stare at them silently.” The poet didn’t find the taoist, instead, he found something else interesting which enabled him to get insight into Zen. The name KARESANSUI is thus born, it aims at helping guests to gain spiritual pleasure and psychological satisfaction. Being enlighten by the quite stream, enjoying fun of tranquility from appreciating swaying wildflower; What’s deep inside the heart is a kind of peace and joy of self-examination. Such kind of peaceful mood integrated harmoniously with the quiet environment. We hope that all guests could have an agreeable experience here.

▼客房装饰与环境相呼应,guest room reflects the environment

▼浴室,bathroom

   

▼一层平面图,the first floor plan

▼二层平面图,the second floor plan

设计公司:亿端国际设计(上海)有限公司
主创创意总监:徐旭俊
参与项目设计师:徐旭伟、常涛、张强龙、马后龙
项目地点:云南香格里拉
类型:民宿酒店
面积:1200平方米
设计时间:2015年12月
施工时间:2016年3月
摄影师:朱恩龙

Design Company:Yiduan Shanghai Interior Design 
Chief Designer & Creative Director: Xu Xujun
Participating Designers: Xu Xuwei, Changtao, Zhang Qianglong, Mahoulong
Project Location: Shangri-La, Yunnan, China
Type: Homestay Hotel
Area: 1200 ㎡
Design Time: Dec, 2015
Construction Time: Mar, 2016
Photographer : Zhu Enlong

Chinese & English text: Yiduan Shanghai Interior Design

More: Yiduan Shanghai Interior Design 更多关于:Yiduan Shanghai Interior Design on gooood



发表评论

20 评论

  1. 就那一抹外墙,其他任何缺点我都能忍了

  2. Profile Photo

    披着素雅,简朴外壳的张力浮夸。室内设计,块状堆砌,却未达到浑然一体的舒适感。零碎的野心。很粗犷,扶手别出心裁,很大胆,却缺少了一种亲和力,可能与设计师本来的理念背道而驰吧。触摸自然。

  3. Profile photo of 北·木

    原来是个室内设计师的非建筑

  4. 看评论大家意见严重两极分化,但我认为分两部分看。建筑设计朴实无华但很有韵味,内装饰部分用了很多新奇的设计,反而失去了这种韵味,更加不实用,比如地面石块鹅卵石、下沉休息区,如果室内继续保持这种宁静安定的设计风格,会是一个优秀的作品

  5. 不舒服 。下限的喝茶区域,特别糙。这是什么感受力?好差劲。长草的扶手设计师完全不了解草的生长,和土壤的含水情况。即不适合草也失去了扶手用来手扶的意义。好希望再也不要看到这种看不见“人”的脑残设计师。国内的设计好多没发看细部。设计师感受力好差。

  6. 艺术与设计的高度融合啊,相当有意境,非常喜欢这种亲近自然像诗画般的建筑居所,有机会真得去感受一番,可以看出设计师肯定是个有高度的艺术家,可谓事设计艺术界的能工巧匠。真的钦佩,为设计师点赞,有这样的设计作品代表谁还敢说中国的设计差,大家一起为这样的设计师喝彩鼓励,中国设计艺术文化拥有深厚的底蕴和内涵,必须的有这样的设计师发扬光大,再次为他点个赞。

  7. 真的很喜欢,每个房间都很精致

  8. Profile Photo

    我从事设计行业二十多年,看过的设计数不胜数,我自己平日喜欢在各大网站看看别人的好作品找找灵感,我是被这个作品名字吸引进来的觉得很有意境,当我点进来之后我发现我的直觉是对的,朴素的材料、大胆的创意、可以说是让我已经来就眼前一亮,在这贴子停留了很久,我想揣摩作者的手法,这种自然风格是如何完美无瑕的融入民宿的!看多了那些浮夸的设计,用钱堆积出来的造型,突然看到这个作品顿时让我觉得看到了中国设计的新希望,作者没有被传统风格所限制,彻底放开了,确切的说我感觉作者是在玩!不是在设计!我不知道楼下那些朋友设计做了多少年,但是我敢说你们并没有用心去体会这个作品的精髓!这是个好作品!希望这种风格能影响更多中国的年轻设计师!

  9. 这审美。。。。材质搭配和比例搭配都好丑

  10. 长毛的扶手,活久见,挺好的

  11. 很喜欢这种自然原生态的设计,质朴无华却又处处透着脱俗不凡。将室外的景引入整栋建筑,生机盎然不失趣味,钦佩~特别是房间内各有不同,带上孩子一家几口来一场家庭旅行,每一间房间对孩子来说都不失为一场新奇之旅。

  12. 其实设计做得还可以;就是这种性冷淡风格,在那种地方,而且还是做为民俗,是非常不恰当的,所以说这又是一个非常失败的作品。

  13. 虽然大家都觉得局部不尽人意,但我觉得整体的感觉还是非常好的。
    材料的把控还蛮到位

  14. 很漂亮的民宿,但是有几点并没有深得我心,1.种草的扶手,到底怎么用;2.接待大厅花很多功夫却只能容下十几个人,这么大高差有安全隐患;3.将室外元素引入室内是很有趣,不过打扫起来估计会抓狂。另外整个建筑似乎对小孩并不友好,安全隐患比较多,并且对于长时间的使用产生的灰尘垃圾等没有一个简单易行的解决方案,但也有可能是我没能完全理解建筑师的意图,我只是不希望看到一个虚有其表的建筑

    • 另外整个建筑似乎对小孩并不友好,安全隐患比较多,并且对于长时间的使用产生的灰尘垃圾等没有一个简单易行的解决方案,但也有可能是我没能完全理解建筑师的意图,我只是不希望看到一个虚有其表的建筑

  15. 扶手上种绿植,扶手还让不让人扶了,我的天

  16. 把园林都引入了室内,很赞哎。不过那种汀步好容易绊脚,有木有

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