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来自荷兰的摄影师Popel Coumou，其作品目前正于比利时梅赫伦的艺术中心以及迪拜摄影展上展出。Popel Coumou在摄影中建立起属于她自己的现实世界。她总是用照片，纸张，粘土和许多其他材料一层一层地进行二维拼贴，然后小心地将光源置于这些拼贴作品之后，用模拟相机进行捕捉，从而赋予其一种三维效果来模糊现实与虚构、摄影与绘画的边界。她早期的作品中都主要选取如废弃的酒店和落满灰尘的走廊这一类有着笔直光线的空间。

Popel Coumou is a Dutch photographer who’s work work is shown in Art Centre Mechelen, Belgium and at Photo Dubai. Popel Coumou builds her own reality. Layer after layer she has always made two dimensional collages of photographs, paper, clay, photographs and many other materials. The pieces are carefully lit from the back and captured with an analogue camera, giving it a third dimension and bringing it to the border of reality and fiction, and photography and painting. In her earlier work, her pieces mainly take place inside spaces such as abandoned hotels and dusty hallways where the light governs straight lines.

Popel Coumou的模拟摄影作品现在变得愈加抽象。她将地平线作为整个画面的方向基点，最初开始做这类抽象艺术时一方面考虑到视觉的物理极限，一方面也在向De Stijl、Mondrian和Van der Leck等前辈致敬。Popel将风景摄影和有着抽象线条的纸张相结合，创造出一种新的富有细节的构图，将观者带入一个纯粹的抽象世界。

Now Popel Coumou’s analogue photographs have become more abstract. She now looks at the horizon as a point of orientation, as well abstraction. She interprets physical limits of vision as one of the origins of abstract art, echoing steps taken by her illustrious predecessors from De Stijl, such as Mondrian and Van der Leck. Popel now combines landscape photography and paper with abstract lines to create new detailed compositions. She brings us the world in its purest state.

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