感谢 Pezo Von Ellrichshausen 对gooood的分享。更多关于他们：Pezo Von Ellrichshausen on gooood。
Appreciation towards Pezo Von Ellrichshausen for providing the following description:

本项目位于安第斯山脉脚下，由一系列大小不一的建筑组成。事实上，这个小型建筑群共包含了12座不同的建筑，建筑之间通过可见的抗震缝相互隔开。

This is a large and a small building at the foot of the Andes Mountains. In fact, it is an aggregate of twelve different buildings separated from each other by visible seismic joints.

▼项目外观，external view of the project © Pezo von Ellrichshausen

如果只将它视作一座由混凝土体块组成的住宅，那就这个想法就太过简单了；如果说它是一座博物馆，那未免也显得有些谦逊。除了世俗意义上的建筑，这个小型建筑群更像是一座回廊。它有着严格的几何轮廓，方正的空间形式被一个不对称的十字体量分割，无论是正方形的周边还是中央的十字体量中都设有一系列房间。

Saying that this collection of concrete blocks is a house would be too simple. Saying that it is a museum would be too humble. Besides its secular kind, this group of buildings is rather a cloister. It has a severe outline, (once more) a square footprint divided by an asymmetrical cross, with rooms at the perimeter and at its core.

▼项目远观，viewing the project at distance © Pezo von Ellrichshausen

▼项目鸟瞰，aerial view of the project © Pezo von Ellrichshausen

这些房间围绕四个不同的庭院向水平方向延伸；其中一处呈狭长型的庭院保留了自然地形并跟随着日出日落的轨迹向东西向延伸；另一处狭长的庭院则向南北方向延伸，地形完全平坦，庭院内一条笔直的人工小水渠将一棵孤零零的智利栗树和两处三角形水景的末端连接在一起；此外，还有两处呈完美正方形的庭院空间，较小的庭院中设有一座圆形的花园绿地，另一个较大的庭院面积是小正方形庭院的三倍，庭院内坐落着一方池塘以及几棵古树。

These rooms form a horizontal extension around four distinct courtyards; an elongated one following the natural terrain together with the sunrise and sunset; another long one facing north totally flat and with a water stream that connects a solitary Chilean chestnut with two triangular ends; a non-directional one filled with a circular flower garden and one more thrice its size and holding a pond and some old trees.

▼东西向狭长庭院，long narrow courtyard facing east and west © Pezo von Ellrichshausen

▼南北向狭长庭院与庭院中的水景，the narrow courtyard facing north and water features in the courtyard © Pezo von Ellrichshausen

▼项目中最大的正方形庭院与圆形水池，the biggest courtyard and the round pond © Pezo von Ellrichshausen

▼连廊，semi- outdoor corridor © Pezo von Ellrichshausen

这座错综复杂的建筑的名字“luna”代表了其中最大的庭院的尺寸，它相当于一个斗牛场的大小，在智利农村传统中被称为“medialuna”。但名字实际上是无关紧要的，因此，建筑中每个房间都有着极高的室内外空间质量，多方向的开窗模糊了空间功能与室内外环境的界限，将生活用房与工作用房（从绘画到园艺）和谐地融为一体，消解了不同空间之间的反差感。

The name of this intricate structure is given by the size of that bigger courtyard, which is equivalent to the size of a bullring (called “medialuna” in Chilean rural tradition). But names are rather irrelevant for us. The spatial quality of every room, both interior and exterior, is punctuated by singular openings in multiple directions, thus establishing a faint functional division line: there is almost no contrast between those rooms for living and those for working (from painting to gardening).

▼粗犷的混凝土材质外观，the raw concrete appearance © Pezo von Ellrichshausen

▼丰富的几何形态，various geometric volumes © Pezo von Ellrichshausen

▼楼梯，staircase © Pezo von Ellrichshausen

▼天井空间模糊了室内外界限，the patio blurred the boundary between exterior and interior © Pezo von Ellrichshausen

这座建筑的中既有着私密的小角落，也有着如纪念场所般的空间，其重量感、空虚感与不透明性让这些空间变得神秘而不朽。沿水平向伸展的空间序列使屋顶的层次变得明显，但同时也保证了一层到二层的自然过渡。

In some corners there are accents of intimacy, in others the weight, emptiness and opacity becomes somewhat monumental. The extended format of the system makes the horizontal flatness of the roof evident, although with an almost imperceptible transition from one to two floors.

▼天窗创造出有趣的光影游戏，the skylights create interesting light and shadow effect © Pezo von Ellrichshausen

▼生活空间，the living space © Pezo von Ellrichshausen

▼厨房与火塘，the kitchen and the fire place © Pezo von Ellrichshausen

▼书房，the library © Pezo von Ellrichshausen

▼画廊，the gallery © Pezo von Ellrichshausen

从外观上看，这座建筑宛如一座坚实的堡垒，手工混凝土墙的厚度在设计中被特意强调了出来，规则的檐口为立面赋予了水平方向上的层次感。天井与连廊顶棚的大胆处理，与粗糙的混凝土墙面形成了鲜明的对比，一系列或圆形或方形的天窗为空间带来了丰富而有趣的光影游戏。

A fortress-like presence, despite the exaggerated lack of thickness of its artisanal concrete walls, is divided by horizontal strata of regular cornices. In opposition to those rough surfaces, the patio walls are crowned by bold eaves, some of them rounded, some of them straight.

▼天井与连廊顶棚的大胆处理，与粗糙的混凝土墙面形成了鲜明的对比，in opposition to those rough surfaces, the patio walls are crowned by bold eaves © Pezo von Ellrichshausen

▼外观夜景，night view of the project © Pezo von Ellrichshausen

▼模型，model © Pezo von Ellrichshausen

▼插画，illustrations © Pezo von Ellrichshausen

▼手绘，hand-drawings © Pezo von Ellrichshausen

▼总平面图，master plan © Pezo von Ellrichshausen

▼屋顶平面图，roof plan © Pezo von Ellrichshausen

▼底层平面图，ground floor plan © Pezo von Ellrichshausen

▼二层平面图，upper floor plan © Pezo von Ellrichshausen

▼立面图，elevations © Pezo von Ellrichshausen

▼剖面图，sections © Pezo von Ellrichshausen

Project: Luna house
Location: Santa Lucia Alto, Yungay, Chile
Client: Fundacion Artificial
Architect: Pezo von Ellrichshausen (Mauricio Pezo & Sofia von Ellrichshausen)
Collaborators: Emilie Kjaer, Maria Arnold, Isabella Hubsch, Thomas Harlander, Fabian Puller, Olga Herrenbrücks, Torun Stjern, Simon Bohnet, Amelie Bès, Elina Zempetakis, Jeffrey Wu, Jasper Lorenz, Hannah Frossard, Pablo Valsangiacomo
Structure: Sergio Contreras
Construction: Constructora Natural
Material: Reinforced concrete, recycled wood, glass
Surface: 2400 m2
Site: 120 hectares
Date: 2018-2022
Photography: © Pezo von Ellrichshausen

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