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艺术集合体teamLab为新版《图兰朵》——普契尼未完成的最后一部歌剧——设计了舞台背景，这是他们的首个舞台设计作品。歌剧在日内瓦大剧院首次亮相，计划于2022年6月20日到7月3日之间进行七场演出。通过把镭射、LED和投影结合运用在不同场景中，teamLab将数字灯光艺术作品和沉浸式体验带到了舞台上，创造了一场前所未见的歌剧演出。

Art collective teamLab has made its scenographic debut with a new production of Giacomo Puccini’s final, unfinished opera Turandot. Premiering at the Grand Théâtre de Genève in Geneva with seven performances June 20 – July 3, 2022, this marks the first time in teamLab’s career to work on the scenography of an opera. By using a combination of lasers, LED, and projection for different scenes, teamLab brings to the stage its digital light artworks and immersive experience, never before seen at the opera.

▼演出预告，performance foreshow

“我们超越了传统的舞台设计概念，利用雕塑般的灯光塑造歌剧空间。此次为日内瓦大剧院设计的布景在2017年左右就开始策划和制作，精心雕琢的灯光投影创造了一个连续的空间，消除了舞台和观众之间的界限。”——teamLab

‘Transcending the concept of stage design, the opera space is created by a sculptural space of light. The scenography, which has been in planning and production for the Geneva premiere since around 2017, immerses and unifies the cast in the light sculptures, creating a space where the stage and audience are continuous without boundaries,’ says teamLab.

▼四十五道镭射光组成虚拟的灯光平面，在舞台上形成立体灯光雕塑 ©MAGALI DOUGADOS
Fortyfive lasers are used to make virtual light planes and form 3D light sculptures above the stage © Magali Dougados, Courtesy Daniel Kramer, Grand Théâtre de Genève, and Pace Gallery

舞台包含两个部分。一边是富有未来感的反乌托邦演出，以图兰朵为首。女性是王冠后的掌权者，男性被打扮成女性的理想玩物，或受到禁锢。那些相信自己能迎娶图兰朵而参加猜谜结果输掉的男人，根据礼仪都被“剥夺了贞操”。这是一场令人兴奋的精彩表演。teamLab用四十五道镭射光组成虚拟的灯光平面，在舞台上形成了立体的灯光雕塑，使场面更加疯狂。另外一些时候，镭射变得朦胧、隐晦而抽象，创造出纯粹安静的瞬间，美与恐惧萦绕其中。

The stage has two sides; one side is a futuristic dystopian game show, with Turandot at its head. Women are the power behind the throne and men are consigned to be dressed up as idealised playthings of the women, or imprisoned below them. Those men that dare to believe they can be the one to marry Turndot, that enter the quiz show only to lose, are ritually “deflowered”. It is a spectacle, the populace are excited. That is where teamLab uses fortyfive lasers to make virtual light planes and form 3D light sculptures above the stage, enhancing the frenzy of the scene. Yet at other times the lasers are hazy, subtle and abstract, creating moments of pure calm and tranquillity, haunting beauty and trepidation.

▼光的雕塑形成的空间，space made of sculpture of light ©MAGALI DOUGADOS

▼女性为掌权者，women are the power behind the throne ©MAGALI DOUGADOS

▼朦胧的镭射光形成美丽而恐怖的氛围，subtle lasers creating an atmosphere of beauty and trepidation ©MAGALI DOUGADOS

▼灯光塑造的舞台空间，stage space formed by light ©MAGALI DOUGADOS

▼透明盒子组成的表演空间，performance space made of transparent boxes ©MAGALI DOUGADOS

随着舞台旋转，一个潜意识的世界显现在了观众面前。LED和镜面形成万华镜一般的惊人房间，象征着人的思想，美丽、诱人、极具魅力，同时暗示着诡计和欺骗。穿过这个陌生、令人迷失、千变万化的世界，Calaf不得不面对自己的忧虑和恐惧。

When the stage rotates, a subconscious world appears. LED is used with mirrors to create stunning contrast and kaleidoscopic diamond-like rooms of the mind, which are both beautiful and alluring, seductive, and yet suggestive of trickery and deception. This is where Calaf has to deal with his own complexes and fears as he goes through a strange, disorientating, kaleidoscopic world.

▼多个镜面组成巨大的三角形，创造了一个万华镜般的潜意识世界 ©MAGALI DOUGADOS
A giant triangle is made with multiple mirrors, creating a kaleidoscopic, subconscious world © Magali Dougados, Courtesy Daniel Kramer, Grand Théâtre de Genève, and Pace Gallery

▼表演者与空间互动，interactions between the performers and the spaces ©MAGALI DOUGADOS

▼投影在镜面上形成不同图案，表现了角色的心路历程，various projections on the mirrors, reflecting the subconscious world fo the role ©MAGALI DOUGADOS

▼不同场景下的演出，performance in different scenes ©MAGALI DOUGADOS

teamLab和舞台导演Daniel Kramer紧密合作，共同设想了这个舞台，将Kramer对《图兰朵》的诠释和teamLab的审美结合在了一起。由于新冠爆发造成的延期，项目花费了超过四年时间。期间，Kramer和teamLab讨论想法，探索各种概念、解释、比喻和象征，思考如何实现每个场景的视觉转译。

teamLab worked extensively with the Stage Director, Daniel Kramer, to envisage scenography that would unite Kramer’s interpretation of Turandot and teamLab’s aesthetics. As the project evolved over more than four years – due to the delay caused by the coronavirus pandemic – Kramer and teamLab discussed ideas and explored concepts, interpretations, metaphor and symbolism, along with how the visual interpretation of each scene would be realised.

▼设计师讲述创意过程，interview with the designer

teamLab的建筑师帮助提供了多个想法，并为舞台平面设计了简洁而有力的几何形状，可以通过teamLab的数字灯光艺术作品得到加强。旋转的构件使用玻璃、亚克力和镜面，同时结合了柔软的白色和富有弹性的黑色材料。由于光的反射和吸收，演唱者将会出现在不同视觉品质的空间中并与其互动。

teamLab Architects helped to produce ideas and plans for the stage with simple yet powerful geometry that can be enhanced by teamLab’s digital light artworks. The revolving set makes use of glass and acrylic, reflective surfaces and combinations of soft white and stretchy black materials. Singers will interact or appear in spaces that have different visual qualities due to reflection and absorption of light.

▼灯光调试，light testing ©MAGALI DOUGADOS

继日内瓦公演后，歌剧将于2023年2月23日~26日由东京二期会在东京演出。
Following Geneva, the Tokyo performance by Tokyo Nikikai Opera will take place on February 23 – 26, 2023.
Turandot

Opera by Giacomo Puccini
https://www.teamlab.art/e/turandot/
June 20 – July 03, 2022
Grand Théâtre de Genève (Boulevard du Théâtre 11, CH-1204 Genève)

Turandot Videos: https://youtube.com/playlist?list=PLUWwYK5rOr5QJa9vblRmVrUqfssdRl2Mx
Grand Théâtre de Genève: https://www.gtg.ch/en/

Musical Director: Antonino Fogliani
Stage Director: Daniel Kramer
Scenography, Digital and Light Art: teamLab
Stage Design: teamLab Architects
Costumes: Kimie Nakano

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