Program: Museum Extension
Location: Jyvaskyla, Finland
Cover Area: 300m2
功能： 商店，库房等
地点： 于伟斯屈莱，芬兰
面积： 约300平方米
Exterior of Extension 博物馆扩建室外
The Third Nature
第三自然
Nature is a concept with mixed connotations. It refers to an environment that plants, animals and other features develop their own accord. Apart from that, architecture elements can also be a kind of nature, just as Aalto’s practices describe possibilities to build up physical spaces which tightly rooted in their contexts.
自然是一个复杂的概念。它一般指植物、动物和其他生物生长的环境。而除此以外，建筑的要素也可被视为某种自然，比如说阿尔托的建筑，便描述了一种通过建造根植于场所的物理空间的创造自然的可能性。
With such understandings, we see this project implies an in-between position: on one hand it links Aalto’s two museums; on the other hand it locates in an idyllic green area. This site-specificity reveals another layer beyond the two natures above: a third role of nature.
伴随上述认知，我们认为这个项目蕴含了一种之间的状态，一方面从空间的角度而言它联通了阿尔托的两个博物馆，另一方面从环境的角度它处于一个满布植被的质朴环境之中。既连接自然空间也连接人工空间，这种之间状态精妙的揭示了不同于上述两种自然的状态，我们将其理解为第三种自然。
Masterplan 总平面
Continuous pathway
连续步道
We consider the new structure not simply as architectural object, but as artificial landscape. What is proposed here is an open platform breathing landscape in. The programs gently lean on the contours, not as hard wall, but open terraces forming a continuous route. The form is a three-dimensional translation to the water pools and the visual connection is therefore extended. Through the pools, past the bushes, cross the rising stairs, after several twist-and-turns, a piece of thick wooden grassland appears: a hidden refuge.
我们并没有将这个新的结构定义为一个建筑实体，而是一个人工的自然。通过一个开放的平台将自然引入。建筑的体量匍匐在等高线上，不是一个墙体，而是层层的退台链接成一个连续的公众流线。这个形态是对阿尔托的设计中几何的某种提取和转译，并延伸了博物馆原有的水池前导空间。观者通过水池，绕过树丛，拾级而上，蜿蜒绕转，最后到达的是一片浓茂的绿地：一个消隐的避世之所。
Axonometric Drawing 轴测图
Expose the hidden
显与藏
In traditional museums, the public and technical programs are kept as isolated parts. In this case, we see the space as a platform for exchange. Instead of treating back-stage programs merely as hidden space and bury it under the ground, we open it and visually connect it to public through sectional operations. The museum collections and public can be interwoven. It is a shared space where researchers, artists and public can be interacted. The collections are not just artifacts and the visitors are not just passive consumers. They become part of the cultural events.
在传统的博物馆空间中，公众与技术的功能是严格区隔的。在本次设计中我们将空间定义为交换的媒介。一般的处理是将幕后的一些功能隐藏，或者索性埋在地下，与之不同的是，我们将文物修复等功能打开，并通过剖面的处理使其与公众的视线连接。使博物馆的馆藏与公众的活动交织。这是一个公众，研究者，与艺术家发生共鸣的共享空间。我们认为馆藏并不是冰冷的人工物，观者也不是匆匆过客，而被统筹于文化事件的一部分。
Interior of Museum Shop 博物馆商店内景
Discover geometry
发现的几何
Rather than placing an intervention, we propose a medium to negotiate the complexities. The new structure is supposed to work as linkage between Aalto Museum and Central Finland Museum: two distinctive volumes. We consider it important to merge the three components into a whole but at the same time not lose their identities. The curves are introduced to redefine the geometries carefully. The stairs slope up and use their lengths to measure the gap. Their levels relate to the difference levels of the floor plans of both old and new, structuring tensions. The narrow space is expanded and becomes more readable. The visitors will get more chances to touch both museums on different altitudes, enriching their sensitivities on Aalto’s architecture and nature.
整个体量并不是对空间的介入，而是作为空间的中介，以调和复杂性。设计连接了阿尔托博物馆与芬兰中央博物馆这两个体量截然不同的空间。设计很重要的一点是如何融合三者的差异性同时保持个体的特质。我们通过引入曲线来重新定义几何，这些曲线创造了逐步跌落，缝合两个博物馆中部的空隙。标高是由两端新旧平面不同的标高定义的，试图创造一种空间的紧张感。连续的折回，空间的长度变得延展，可读性变得清晰。在不同的点，观者能得到用手触碰到两个阿尔托的博物馆的机会，这是关于阿尔托与自然，截然不同的感官体验。
Ground Floor Plan 首层平面
First Floor Plan 二层平面
Elevation I 正立面
Elevation II 背立面
Section A-A 剖面A-A
Section B-B 剖面B-B
